{"id":9004,"date":"2020-09-18T15:29:33","date_gmt":"2020-09-18T13:29:33","guid":{"rendered":"https:\/\/pierreguillaumeparis.com\/?page_id=9004"},"modified":"2020-09-29T16:05:11","modified_gmt":"2020-09-29T14:05:11","slug":"new_animal_mondain","status":"publish","type":"page","link":"https:\/\/pierreguillaumeparis.com\/en\/new_animal_mondain\/","title":{"rendered":"New_Animal_Mondain"},"content":{"rendered":"

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\n New feature\n <\/div>\n

Animal Mondain<\/h2>\n
\n The 30's & Modernism\n <\/div>\n <\/div>\n[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” parallax=”content-moving” parallax_image=”9015″ css=”.vc_custom_1600430794741{margin-bottom: 70px !important;padding-top: 600px !important;padding-bottom: 500px !important;}”][vc_column]
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\u201c<\/span><\/h3>\n

L’homme est un animal social.<\/i><\/span><\/h3>\n

Aristote<\/span><\/h3>\n

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FROM MARLENE DIETRICH
\nTO ROBERT MALLET-STEVENS<\/h2>\n <\/div>\n[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” content_placement=”middle” parallax=”content-moving” css=”.vc_custom_1600434324834{margin-top: 0px !important;margin-bottom: 70px !important;}”][vc_column css=”.vc_custom_1594904906368{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]
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\u2022 THE INSPIRATION \u2022<\/h2>\n <\/div>\n[\/vc_column][\/vc_row][vc_row content_placement=”middle” parallax=”content-moving” css=”.vc_custom_1600440684619{margin-top: 0px !important;margin-bottom: 70px !important;background-position: center;background-repeat: no-repeat !important;background-size: contain !important;}”][vc_column width=”1\/2″ css=”.vc_custom_1594904906368{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”][vc_single_image image=”9163″ img_size=”full” alignment=”right” onclick=”zoom” css_animation=”slideInUp”][\/vc_column][vc_column width=”1\/2″]
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THE 1930's<\/h2>\n <\/div>\n[vc_column_text css=”.vc_custom_1601387978687{background-color: rgba(255,255,255,0.19) !important;*background-color: rgb(255,255,255) !important;}”]<\/p>\n
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Mass culture from the United States seeks in Hollywood glamour<\/strong>, crooners, swing and Broadway musicals an antidote to the Great Depression<\/strong>. Modernism<\/strong> was then spread throughout society thanks to currents such as Art Deco<\/strong> or Bauhaus<\/strong>, while cinema glorified its new icons such as Greta Garbo, Jean Harlow or Marlene Dietrich<\/strong>. The latter would influence women all over the world by imposing in the unreal cloud of her cigarette smoke<\/strong> a style oscillating between assumed androgyny<\/strong> and theatrical glamour<\/strong>.<\/p>\n<\/div>\n<\/div>\n

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MODERNISM, ARCHITECTURE & ROBERT MALLET-STEVENS:<\/h2>\n <\/div>\n[vc_column_text css=”.vc_custom_1601388074709{background-color: rgba(255,255,255,0.19) !important;*background-color: rgb(255,255,255) !important;}”]<\/p>\n
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Inaugurated in 1932, the Villa Cavrois<\/strong> illustrates the lifestyle linked to modernist architecture: luminous<\/strong>, simple<\/strong> and elegan<\/strong>t. \u201cIn the east wing of the Villa designed by the architect Robert Mallet-Stevens, Paul Cavrois\u2019 office, with its furniture in varnished natural pearwood, gives access to the smoking room, a small circular room with the air of an ocean liner cabin with a mahogany cigar cabinet and leather benches\u201d<\/em>.<\/p>\n<\/div>\n<\/div>\n

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\u2022 THE ACCORD \u2022<\/h2>\n <\/div>\n[vc_column_text]<\/p>\n
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The warm, woody volutes of a tobacco absolute tinted with hay and honey are superimposed on the fragrances of Mahogany Wood, preceded by the fruity green freshness of pear tree leaves.<\/p>\n

Pear Tree Leaves \u2022 Turkish Tobacco Absolute \u2022 Mahogany Wood<\/strong><\/span><\/p>\n<\/div>\n<\/div>\n

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\u2022 THE INTENTION \u2022<\/h2>\n <\/div>\n[\/vc_column][\/vc_row][vc_row content_placement=”middle” parallax=”content-moving” css=”.vc_custom_1600439398519{margin-top: 0px !important;margin-bottom: 70px !important;}”][vc_column width=”1\/2″ css=”.vc_custom_1594904906368{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”][vc_single_image image=”8990″ img_size=”full” alignment=”right” onclick=”zoom” css_animation=”slideInUp”][\/vc_column][vc_column width=”1\/2″][vc_column_text css_animation=”none”]<\/p>\n
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\u201cBetween the spicy ardor of Coz\u00e9 and the balmy and liquorish opulence of Liqueur Charnelle, Animal Mondain interposes itself as a new Tobacco in my production. Stripped of all artifice, it is a gender free olfactory creation inspired by the modernist architecture of a Mallet-Stevens smoking room. The bursts of laughter of a social society happy to feast there splits the tobacco volutes that stretch gently on the leather armchairs and along the pear tree and mahogany woodwork…\u201d <\/strong><\/em><\/span><\/p>\n<\/div>\n

Pierre GUILLAUME<\/strong><\/em><\/span><\/div>\n

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\n Let yourself be seduced by the new perfume PIERRE GUILLAUME BLACK COLLECTION\n <\/div>\n

ANIMAL MONDAIN<\/h2>\n <\/div>\n[vc_separator][\/vc_column][\/vc_row][vc_row content_placement=”middle” css_animation=”fadeIn”][vc_column width=”1\/4″ css=”.vc_custom_1600441685005{background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}”][vc_single_image image=”9132″ img_size=”full” alignment=”center”][\/vc_column][vc_column width=”1\/2″]